89 Royalty-Free Audio Tracks for "Analogue Synth"

One classic passive ring mod based on 2 transformators and one vca based.

Showcasing the filter on some chords played on the unearthly oberheim ob-8 analogue synthesizer. Would love to hear your re-purposing of it!.

R. I. P to ears listen at your own risk this sound can do some mental damage. Good for pranks.

Constant arpeggiators rolling with the waves, shoulda added a panning lfo but o well. Added eq eleminate some frequencies.

Made this sound in vcv-rackhttps://freesound. Org/people/gis_sweden/sounds/430997/now i have realized that sound/patch on my modular synth. Less reverb. I use ring modulation instead of amplitude modification. All analog modular synth composing composing. . .

Some chords played on an arp solina string ensemble going through an electro harmonix small stone phaser pedal. Let me know how you re-use it!.

A little soundscape of an ostinato sequencer pattern with variations in duty and slide values. Realised on a modular system consisting of doepfer, ajh minimod, sputnik and circuit abbey modules.

Crash sample one-shot. These crashes were all made with virtual drum synths and processed through some analogue console emulation and added saturation. They were then trimmed to get rid of any dead space before or after the sample and finally normalized to 0db. This file is part of my anu crashes pack.

Yeah! more sounds made with jupiter storm! oh yes and a feedback loop too. We are approaching jupiter - the magnet storms are haunting our radio.

A hq supersaw lead, sampled from the roland jd-xi. Ideal for playing with a sampler like an virtual instrument. Have fun.

Doepfer a-118 white noise through an a-108 vcf8 using the band-pass out. Audio level: 4. 5emphasis/resonance: 9frequency: around 12khz. Recorded using a rme babyface and cubase 6. 5. I tried to cut seemless loops. It's always nice to hear what projects you use these sounds for. Let me know. ;-).

Expect some sick sounds from me!i have built the eurorack module jupiter storm. It's described as a "cosmic noise oscillator". Now i will learn how to tame it. . . So easy to generate totally sick sounds.

An unsilent patch to celebrate that my spring reverb now is silent - when i want it to be silent. Spring reverbs can be sensitive to electricity. No my spring tank is hidden away!.

Automated linear noise sweep with virus a from color +63 to -63dry60 seconds. For all noise-lovers and those who know what you can do with it.

Single note sampled from a deckard's dream diy analogue synthesizer that i built myself. Deckard's dream (ddrm) is an 8-voice analogue synthesizer designed by black corporation and inspired in the classic yamaha cs-80. The ddrm (and cs-80) is all about live performance and expressiveness via aftertouch and modulations. Therefore, sampling the notes like i did here does not make much sense and by no means makes justice to the real thing. Nevertheless, i thought it could still be useful and would be nice to share. Synthesizer: deckard's dream (ddrm)factory preset #: 14note: c-1midi note: 0midi velocity: 16.

No fuss 3 stage asr (analog shift register) patch. I sample from a quantizer but still its not exact pitch. The sound start with a short decay. I will gradually increase the decay time of the three sounds.

Strange beat. Recorded dry. No reverb. Why? answer i have sold my digital reverb. The one i had in my case. It's finally time for a spring reverb!!!gis_sweden goes fully analog! as long as i dont record with my computer. . .

Looking for inspiration? my goal is provide you with all resources you need to make music you love. Right now i'm giving away only samples. Follow me on instagram, i'm going to share more things like tutorials, presets etc soon.

Three sounds. 1) analog systems rs-40 samples from 25hz bipolar lfo (doepfer a-147-2)2) analog systems rs-40 samples from 25hz looping envelope (intellijel quadra)3) analog systems rs-40 samples from noise generated by barton musical circuits bmc23 decaying analog noise).

A blues-inspired throaty lead line created from an original patch of arturia's buchla easel v. Dark, and full of overdrive and saturation, this loop is perfect for driving an energetic electronic composition.

Needs to be faded in, but otherwise it should properly loop. Created using cubase and retrologue 2. A simple patch exploring the vsti's multi oscillators. Two oscillators plus a bit of semi-random filter modulation.

A funny patch i made on my little modular. Unedited sound file. I'm creating tones with a clock divider and a mixer. I insert a little chaos in to the tone sequence. Constantly changing "melody". And the bass is connected to the melody. . .

Arturia microbrute synthesizer through guitar rig on low quality direct into the built-in tape deck. Cut in ocenaudio. It's always nice to hear what projects you use these sounds for. Let me know. ;-). Please also check out my pond5-profile for more:http://www. Pond5. Com/artist/cabled_mess.

Electronic beats made from an original sample pack designed using the drum synth on ni maschine. Processed with high-quality analogue emulation plugins and effects to give it extra punch and character. Enjoy!. Tempo 107 bpm. Beat 4 of 4. All individual samples can be found in the spiryt beats kit pack.

Some snippets of a little doepfer a-199 demo i did a while back. Https://youtu. Be/8dgbfopkh9a. Oscillator modulated with noise s&h. ;reverb dry/wet outputs ringmodulating each other. Created using a doepfer a-100 and recorded using cubase 6. 5.

Kalimba and steel drums layered and treated, ready for your sampler. I use a few sounds from here frequently so i thought i'd give something back. Use them however you please. I''m working on full sample packs to share soon - @scissorwork_ on ig if you're interested in layered acoustic sounds and analogue drums and synth stuff.

My friend and i had rented a minimoog model d (c1977, not the reissue). We were jamming out some ambient-type sounds, and my mate is just getting lovely tones out the moog, going through a deluxe memory man echo/chorus/vibrato for extra analogue niceness. Listen as he goes full-on john paul jones on in the light around the 50 second mark. Fell free to use in your productions and send me a message if you do!.

Wrote/recorded short daft punk style tune at 100 bpm in ableton live 9:muugy for synth sound. Analogue bass + bit growl for bass sound. Kontakt 5 for the string sound. Soft saturated for the percussive section. Additional notes:-12. 9 lufs integrated-2. 0 db true peak max. Hope this helps and is useful for your next project. Cheers,bainmackyoutube. Com/bainmack.

In this patch i’m using doepfer a-160 clock divider as a sub bas generator. Square wave out from doepfer a-110 to trig in on a-160. I guess a square wave makes it easier for a-160? /4, in this patch, out to uvcf. The sawtooth from a-110 to another nice filter - the wasp filter. The transient modules 8s sequencer gives us an 8 note sequence. A copy of the sawtooth melody is going to an analog delay stomp box from joyo and back to the synth. Some reverb from a-199 sprv, spring reverb. Https://www. Youtube. Com/watch?v=ssrlq42phvi.

Created using the korg electribe 2 (the synth variant) analogue modeling synthesis engine and fx. If you don't like the busywork of cutting, sorting, naming etc. , you can check out this paid "game-ready" asset on the unity asset store:http://u3d. As/rk4. It's always nice to hear back from you. What projects did you use these sounds for?please let me know. ;-).

Using a bass drum module to get not that bassdrummy sounds. . . Combining this with different types of feedback. I didn't know how to end the recording, as you will notice. I'm using an analog delay and spring reverb. Maybe the ending in it self is interesting? i find it hard to "tag" this sound :-)how useless is this sound on a scale from 1 to 5? 5 is totally useless. . .

It becomes clear when i record with audacity and can actually see the attack and decay. I’m playing with alm pip slope. With this module you can cv control the attack and decay. As oscillator i use intellijel μvcf in self-oscillation mode. I fm-modulate this filter/oscillator with a tone from uoki-toki polivoks vcf. The semi random trigger is really two triggers connected to an or gate. Pitch is from analogue systems rs-40 (sample/hold and noise). I can listen to this for a looong time. Retro sound.

Patch on my doepfer a-100 modular synthesizer. Recorded in early 2015 using my google nexus 5 with a class-compliant audio-interface and the soundcloud app. I called it "babysteps" at the time. Denoised with audacity. Cut and normalized using ocenaudio. It's always nice to hear what projects you use these sounds for. Let me know. ;-). You can also check out my pond5 profile. Perhaps you find something you like there. Http://www. Pond5. Com/artist/cabled_mess.

Version 2. . . Of https://www. Freesound. Org/people/gis_sweden/sounds/352940/. . . Or maybe version 34. . . . It's not better but a little different. More dynamics. Softer. But still i have the clicks :-/have to work on that. It becomes clear when i record with audacity and can actually see the attack and decay. I’m playing with alm pip slope. With this module you can cv control the attack and decay. As oscillator i use intellijel μvcf in self-oscillation mode. I fm-modulate this filter/oscillator with a tone from uoki-toki polivoks vcf. The semi random trigger is really two triggers connected to an or gate. Pitch is from analogue systems rs-40 (sample/hold and noise). I can listen to this for a looong time. Retro sound.

//////// made using audacity (only):. Generate 3 wave forms. Saw - 110hzsquare - 220hzsine - 440hz. Pull down the track's volume using the sliderthen mix them all together on one track. Apply a wahwah plugin :freq= 1,5 / phase=0 / dept=70 / resonnance= 5,2 / cutoff freq= 5. Progresively increase the tempo :source tempo to -75% / final tempo to +150% (with dynamic transcient sharpening)source hight to -50% / final hight to +150%. Normalise to -0,5apply short fade in and long fade out. //////// typologie:continu varié (v)(pourrait presque être aussi décrit en tant que série d'impulsions tonique / n' ). ////// morphologie:- masse: son seul- timbre harmonique: riche, puissant et assez agressif (mais adouci par le filtrage)- grain: grain assez "gros" et rugueux- allure: stable, pas de vibrato rapproché, pas de "chevrotement"- attaque: l'attaque est graduelle- profil mélodique: variations à mi-chemin entre scalaires et serpentines- profil de masse / calibre : présence d'un filtrage évolutif intermitent qui adoucit le grain et donne une impression plus "organique".

Yes! så nöjd att detta ljud hände, typ! let me take this info in swedish, okay. Buchla style slow krell. En modulerande osc och en som moduleras, men man hör bägge i mixen! ena osc går via en lpg den andra via vca/mix. Till det "skrynkliga" ljudet använder jag en pip slope modulerad av jerkoff och sloth. Ljudkällan är en sinus som går via en lugnt modulerad wave shaper. En envelope follower plus sloth ger en trg till en s/h ibland och då byts tonen. Skrynkelljudet går även till mitt analoga delay. Tonen är även liiite modulerad av en env. Ganska west coast och buchla. . . Google translate :-)buchla style slow krell. A modulating osc and one that is modulated, but you can hear both in the mix! ena osc goes via a lpg the other via vca / mix. To the "creepy" sound i use a pip slope modulated by jerkoff and sloth. The sound source is a sine that goes through a quietly modulated wave shaper. An envelope follower plus sloth gives a trg to an s / h sometimes and then the tone changes. The cry sound also goes to my analogue delay. The tone is also liiite modulated by an env. Pretty west coast and buchla. . .

Closed hh one-shot. These hi hats were all made with virtual drum synths and processed through some analogue console emulation and added saturation. They were then trimmed to get rid of any dead space before or after the sample and finally normalized to 0db. This file is part of my anu hihats pack.

Clap sample one-shot. These claps were all made with virtual drum synths and processed through some analogue console emulation and added saturation. They were then trimmed to get rid of any dead space before or after the sample and finally normalized to 0db. This file is part of my anu claps pack.

Snare sample one-shot. These snares were all made with virtual drum synths and processed through some analogue console emulation and added saturation. They were then trimmed to get rid of any dead space before or after the sample and finally normalized to 0db. This file is part of my anu snares pack.